BIO
Eneko Vadillo (Malaga, 1973) is a composer with an established reputation in instrumental music (symphonic, concertos and chamber) and manipulation of electroacoustic media, as well as the use of technology. He has had an international (De Pablo, Benjamin, Lindberg, Saariaho) and multidisciplinary education. He has a doctorate in Music History and Science from the Universidad Autónoma de Madrid, the Sorbonne in Paris and IRCAM. His music has shared a space with the films of Rossellini (La ciudad de los signos – The city of signs) and architecture (the Liebeskind Museum, Berlin). He has received numerous awards, among them Third Prize in the BBVA Foundation Auditorio Nacional Award (2010), the Reina Sofia Prize (2005), the Olivier Messiaen Montreal Prize (2007) and Finalist at the Isang Yun Composition Prize (2007). He has been performed in the main current music festivals interpreted by orchestras and ensembles at the highest level (BBC Symphony Orchestra, the Montreal Symphony Orchestra, London Sinfonietta, Ensemble Aleph, Asko Ensemble, at the festivals of Donaueschingen, the Munich Biennale, Warsaw Autumn Festival, and Gaudeamus Festival).
PROJECT
The aim of the project is to discuss the relations that may be established between certain models of conscious and non-intuitive formalization and the organization and creation of the parameters of a symphonic musical composition.
This research work involves Brownian movement, fractals, acoustic hyper-cubic dimension, delays, and reverberation; and the use of this material in a work for orchestra, electroacoustic work and scientific article.